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Biography

miguel calderón - Artists - Kurimanzutto

miguel calderón

1971, Mexico City

Miguel Calderón is regarded as a seminal figure in Mexico’s independent art scene. His pieces often combine a dark sense of humor that is reconfigured into works that explore deep social and personal territories taking advantage of what is at hand to create low budget films and videos. His multidisciplinary practice focuses on exploring power relations, in interpersonal (often family) relationships as well as between different groups in society. He draws satirical portraits—always with a respectful regard for marginalized figures—depicting Mexico’s class society, defined by rigid hierarchies. His work often is unified by an ever-present sense of theatricality, questioning the fine line between reality and fiction. Frequently cast from the perspective of an outsider, he highlights the macabre complexity of our position as humans in the universe deftly weaving together mockery, social critique and straightforward emotions. He creates works from a mashup of vernacular references, employing a variety of media, including video, photography, sculpture, and painting.

Calderón received his BFA from the San Francisco Art Institute in 1994. He has been the recipient of the Cisneros Fontanals Art Foundation Grant & Commissions program (2013), The MacArthur Fellowship for Film and New Media (2000), and the Bancomer/Rockefeller Fellowship (1995).

Calderón currently lives and works in Mexico City.

Selected Works

Selected Works Thumbnails
se llamaba sombra 3, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 3, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 4, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 4, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 6, 2020 lightjet print 14.96 x 11.41 in. 

se llamaba sombra 6, 2020 lightjet print 14.96 x 11.41 in. 

desastres 1, 2014-2019 digital print 11.61 x 14.76 in

desastres 1, 2014-2019 digital print 11.61 x 14.76 in

desastres 3, 2014-2019 digital print 11.61 x 14.76 in

desastres 3, 2014-2019 digital print 11.61 x 14.76 in

desastres 8, 2014-2019 digital print 11.61 x 14.76 in

 

desastres 8, 2014-2019 digital print 11.61 x 14.76 in

 

cibeles 1, 2018 digital print 20.55 x 28.54  in

cibeles 1, 2018 digital print 20.55 x 28.54  in

cibeles 3, 2018 digital ink jet 11.5 x 15.55 in.

cibeles 3, 2018 digital ink jet 11.5 x 15.55 in.

disasters of peace, 2017 digital ink jet print 33.07 x 46.06 in.

 

disasters of peace, 2017 digital ink jet print 33.07 x 46.06 in.

 

in the open 1, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

in the open 1, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

color scheme gray, 2012 digital ink jet print 48.82 x62.8 in.

color scheme gray, 2012 digital ink jet print 48.82 x62.8 in.

in the open 2, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

in the open 2, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

best-seller (mindbend), 2009 digital print 44.88 x 67.72 in.

best-seller (mindbend), 2009 digital print 44.88 x 67.72 in.

best-seller (dark horse), 2009 digital print 44.88 x 67.72 in.

best-seller (dark horse), 2009 digital print 44.88 x 67.72 in.

best-seller (the beast must die), 2008 digital print33 x 46 in.

best-seller (the beast must die), 2008 digital print33 x 46 in.

swiss finger, 2010 12.4 x 12.4 in.

swiss finger, 2010 12.4 x 12.4 in.

acapulco 79, 2008 digital print 55.12 x 70.87 in.

acapulco 79, 2008 digital print 55.12 x 70.87 in.

los pasos del enemigo, 2006 video transferred to dvd 5:39 min.

los pasos del enemigo, 2006 video transferred to dvd 5:39 min.

chapultepec #4, 2003 inkjet print 20.47 x 27.95 in.

 

 

chapultepec #4, 2003 inkjet print 20.47 x 27.95 in.

 

 

chapultepec #7, 2003 inkjet print 20.47 x 27.95 in.

chapultepec #7, 2003 inkjet print 20.47 x 27.95 in.

chapultepec #12, 2003 inkjet print 20.47 x 27.95 in.

chapultepec #12, 2003 inkjet print 20.47 x 27.95 in.

secundaria #4, 2003 inkjet print 8.66 x 30.71 in.

secundaria #4, 2003 inkjet print 8.66 x 30.71 in.

secundaria #5, 2003 inkjet print 8.66 x 40.16 in.

secundaria #5, 2003 inkjet print 8.66 x 40.16 in.

secundaria #6, 2003 inkjet print 19.69 in.

secundaria #6, 2003 inkjet print 19.69 in.

empleado del mes #1, 1998 inkjet printImage 55.12 x 36.85 in.

empleado del mes #1, 1998 inkjet printImage 55.12 x 36.85 in.

empleado del mes #3, 1998 inkjet print 55.12 x 36.85 in.

empleado del mes #3, 1998 inkjet print 55.12 x 36.85 in.

empleado del mes #7, 1998 inkjet printImage 55.12 x 36.85 in.

empleado del mes #7, 1998 inkjet printImage 55.12 x 36.85 in.

moribundo, 1999 installation, variable dimensions

moribundo, 1999 installation, variable dimensions

second place (tapestry), 1998 red gobelin 294 x 218 cm

second place (tapestry), 1998 red gobelin 294 x 218 cm

taxímetro, 1997 digital print 25.2 in.

taxímetro, 1997 digital print 25.2 in.

lengthtriple exposure #4, 1987-1991 inkjet print 23.23 x 34.65 in.

lengthtriple exposure #4, 1987-1991 inkjet print 23.23 x 34.65 in.

triple exposure #10, 1987-1991 inkjet print 25.98 x 19.29 in.

triple exposure #10, 1987-1991 inkjet print 25.98 x 19.29 in.

triple exposure #21, 1987-1991 inkjet print 12.99 x 16.93 in.

triple exposure #21, 1987-1991 inkjet print 12.99 x 16.93 in.

se llamaba sombra 3, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 3, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 4, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 4, 2020 lightjet print 11.22 x 14.96 in.

se llamaba sombra 6, 2020 lightjet print 14.96 x 11.41 in. 

se llamaba sombra 6, 2020 lightjet print 14.96 x 11.41 in. 

desastres 1, 2014-2019 digital print 11.61 x 14.76 in

desastres 1, 2014-2019 digital print 11.61 x 14.76 in

desastres 3, 2014-2019 digital print 11.61 x 14.76 in

desastres 3, 2014-2019 digital print 11.61 x 14.76 in

desastres 8, 2014-2019 digital print 11.61 x 14.76 in

 

desastres 8, 2014-2019 digital print 11.61 x 14.76 in

 

cibeles 1, 2018 digital print 20.55 x 28.54  in

cibeles 1, 2018 digital print 20.55 x 28.54  in

cibeles 3, 2018 digital ink jet 11.5 x 15.55 in.

cibeles 3, 2018 digital ink jet 11.5 x 15.55 in.

disasters of peace, 2017 digital ink jet print 33.07 x 46.06 in.

 

disasters of peace, 2017 digital ink jet print 33.07 x 46.06 in.

 

in the open 1, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

in the open 1, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

color scheme gray, 2012 digital ink jet print 48.82 x62.8 in.

color scheme gray, 2012 digital ink jet print 48.82 x62.8 in.

in the open 2, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

in the open 2, 2012 inkjet print mage 39 3/8 x 70 7/8 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

triángulo perfecto, 2010 inkjet print 16.93 x 16.93 in.

best-seller (mindbend), 2009 digital print 44.88 x 67.72 in.

best-seller (mindbend), 2009 digital print 44.88 x 67.72 in.

best-seller (dark horse), 2009 digital print 44.88 x 67.72 in.

best-seller (dark horse), 2009 digital print 44.88 x 67.72 in.

best-seller (the beast must die), 2008 digital print33 x 46 in.

best-seller (the beast must die), 2008 digital print33 x 46 in.

swiss finger, 2010 12.4 x 12.4 in.

swiss finger, 2010 12.4 x 12.4 in.

acapulco 79, 2008 digital print 55.12 x 70.87 in.

acapulco 79, 2008 digital print 55.12 x 70.87 in.

los pasos del enemigo, 2006 video transferred to dvd 5:39 min.

los pasos del enemigo, 2006 video transferred to dvd 5:39 min.

chapultepec #4, 2003 inkjet print 20.47 x 27.95 in.

 

 

chapultepec #4, 2003 inkjet print 20.47 x 27.95 in.

 

 

chapultepec #7, 2003 inkjet print 20.47 x 27.95 in.

chapultepec #7, 2003 inkjet print 20.47 x 27.95 in.

chapultepec #12, 2003 inkjet print 20.47 x 27.95 in.

chapultepec #12, 2003 inkjet print 20.47 x 27.95 in.

secundaria #4, 2003 inkjet print 8.66 x 30.71 in.

secundaria #4, 2003 inkjet print 8.66 x 30.71 in.

secundaria #5, 2003 inkjet print 8.66 x 40.16 in.

secundaria #5, 2003 inkjet print 8.66 x 40.16 in.

secundaria #6, 2003 inkjet print 19.69 in.

secundaria #6, 2003 inkjet print 19.69 in.

empleado del mes #1, 1998 inkjet printImage 55.12 x 36.85 in.

empleado del mes #1, 1998 inkjet printImage 55.12 x 36.85 in.

empleado del mes #3, 1998 inkjet print 55.12 x 36.85 in.

empleado del mes #3, 1998 inkjet print 55.12 x 36.85 in.

empleado del mes #7, 1998 inkjet printImage 55.12 x 36.85 in.

empleado del mes #7, 1998 inkjet printImage 55.12 x 36.85 in.

moribundo, 1999 installation, variable dimensions

moribundo, 1999 installation, variable dimensions

second place (tapestry), 1998 red gobelin 294 x 218 cm

second place (tapestry), 1998 red gobelin 294 x 218 cm

taxímetro, 1997 digital print 25.2 in.

taxímetro, 1997 digital print 25.2 in.

lengthtriple exposure #4, 1987-1991 inkjet print 23.23 x 34.65 in.

lengthtriple exposure #4, 1987-1991 inkjet print 23.23 x 34.65 in.

triple exposure #10, 1987-1991 inkjet print 25.98 x 19.29 in.

triple exposure #10, 1987-1991 inkjet print 25.98 x 19.29 in.

triple exposure #21, 1987-1991 inkjet print 12.99 x 16.93 in.

triple exposure #21, 1987-1991 inkjet print 12.99 x 16.93 in.

Installation Views

Installation Views Thumbnails
installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

 

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

 

installation view caída libre (free fall), luhring augustine bushwick, new york, 2017. photo: farzad owrang

installation view caída libre (free fall), luhring augustine bushwick, new york, 2017. photo: farzad owrang

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view forcing forces of nature, andrea rosen gallery, 2003

installation view forcing forces of nature, andrea rosen gallery, 2003

installation view forcing forces of nature, andrea rosen gallery, 2003

installation view forcing forces of nature, andrea rosen gallery, 2003

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view miguel calderón: neurotics anonymous, kurimanzutto new york, 2025. photo: zach hyman

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo tamayo, 2022. photo: gerardo landa estudio

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view materia estética disponible, museo de arte contemporáneo de monterrey (marco), 2021

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view el placer después, kurimanzutto, mexico city, 2019. photo: gerardo landa estudio

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

 

installation view caída libre (free fall), gral. manuel f. loera 42, mexico city, 2017

 

installation view caída libre (free fall), luhring augustine bushwick, new york, 2017. photo: farzad owrang

installation view caída libre (free fall), luhring augustine bushwick, new york, 2017. photo: farzad owrang

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view miguel calderón, kurimanzutto, mexico city, 2006

installation view forcing forces of nature, andrea rosen gallery, 2003

installation view forcing forces of nature, andrea rosen gallery, 2003

installation view forcing forces of nature, andrea rosen gallery, 2003

installation view forcing forces of nature, andrea rosen gallery, 2003

miguel calderón - Artists - Kurimanzutto

notable solo exhibitions

His most important solo exhibitions include: Materia Estética Disponible. Miguel Calderón, Museo Tamayo, Mexico City (2022); Museo de Arte Contemporáneo de Monterrey (MARCO), Mexico (2021); Interrogatorio Inverso, Páramo Galería, Guadalajara, Mexico (2020); El placer después (Pleasure Afterwards), kurimanzutto, Mexico City (2019); Caída Libre, Luhring Augustine, New York (2017); Independientemente de con quien duerma, Fototeca Latinoamericana (FoLa), Buenos Aires (2017); Miguel Calderón: Color Bleed, Rochester Art Center, MN (2012); Miguel Calderón. Solo Project, Casa América, Madrid (2010); Conversations with a Tropical Vulture, with George Kuchar, Yerba Buena Center for the Arts, San Francisco, CA (2010); Bestseller, Museo Tamayo, Mexico City (2009); Ridiculum Vitae, La Panadería, Mexico City (1998), among others.

selected group exhibitions and biennials

Past group exhibitions include: Equis, I Griega, Zeta, anonymous gallery, New York (2023); Imperios de lo Plural, Museo de Arte de Zapopan (MAZ), Mexico (2022); Excepciones Normales: Arte contemporáneo en México, Museo Jumex, Mexico City (2021); OTRXS MUNDXS, Museo Tamayo, Mexico City (2020); The World’s Game: Fútbol and Contemporary Art, Pérez Art Museum, Miami, FL (2018); Realidad programada: la vida y el arte en la televisión, Museo Jumex, Mexico City (2018); La Ciudad de México en el arte. Travesía de ocho siglos, Museo de la Ciudad de México (2017); Strange Currencies: Art & Action in Mexico City 1990–2000, The Galleries at Moore, Philadelphia, PA (2015); Fútbol: The Beautiful Game, Los Angeles County Museum of Art (LACMA), CA (2014); América Latina 1960–2013, Fotos + Textos, Museo Amparo, Puebla, Mexico (2014); and Fondation Cartier, Paris (2013); Antes de la resaca… Una fracción de los noventa de la Colección del MUAC, Museo Universitario de Arte Contemporáneo (MUAC-UNAM), Mexico City (2011); Dracula Effect: Art/Youth Cultures/Fetishism Youth, Museo Universitario del Chopo, Mexico City (2010); Interstices, Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, Austria (2009); Prospectif cinéma 2008–2009, Centre Pompidou, Paris (2008); Viva México! Long Live Mexico!, Zacheta National Gallery of Art, Warsaw, Poland (2007); Freak Show – An Unnatural History, BALTIC Centre for Contemporary Art, Gateshead, England (2007); Escultura social: A New Generation of Art from Mexico City, Museum of Contemporary Art Chicago (MCA Chicago), IL (2007); Distor, Museo de Arte Carrillo Gil, Mexico City (2006); Ciudad de México: An Exhibibition About the Exchange Rates of Bodies And Values, P.S.1 Contemporary Art Center, Long Island CIty, NY (2002), among others.

Calderón has participated in various biennials, including: 7th International Photo-Triennial Esslingen, Germany (2007); Busan Biennale, South Korea (2006); Sharjah Biennial 7, United Arab Emirates (2005); Yokohama Triennale of Contemporary Art, Japan (2005); ARCO ‘98, Madrid (1998).