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biography

biography

photo: maryam hoseini

WangShui

1986, United States

 

WangShui’s work explores divergent structures of perception. Through video, sculpture, painting, and installation, they examine the psychosomatic loops that form our experience of the world. The artist’s polyvocal practice seeks to integrate diverse personal experiences and research into trauma, architecture, and media. A central theme in the work is liminality, and its radical potential as a form of resistance. WangShui often addresses the latent space of images and materials as a way to activate the hallucinatory states between detail and distance, transparency and opacity, knowing and unknowing.

WangShui earned a BA in Art Practice and Social Anthropology from UC Berkeley and a MFA in Film and Video from Milton Avery Graduate School of the Arts, Bard College. Their work has been exhibited at the 2022 Whitney Biennial, NY; 2022 Biennale de Lyon, France; Hammer Museum, LA; Hessel Museum of Art, NY; SculptureCenter, NY; JULIA STOSCHEK COLLECTION, Germany; Tai Kwun Contemporary, Hong Kong; The Shed, NY; New York Film Festival; Rotterdam International Film Festival, The Netherlands; Experimental Media and Performing Arts Center (EMPAC), NY; amongst others.

Selected Works

Selected Works Thumbnails
gubra (fig∵re v), 2023

gubra (fig∵re v), 2023

 encounter II, 2023

 encounter II, 2023

titration point (isle of vitr∴ ous), 2022.

titration point (isle of vitr∴ ous), 2022.

 fig∵re I, 2022

 fig∵re I, 2022

ph∴sphene study II, 2021

ph∴sphene study II, 2021

hyaline seed (isle of vitr∴ ous), 2022

hyaline seed (isle of vitr∴ ous), 2022

el decorum, 2021

el decorum, 2021

mindful witness, 2021

mindful witness, 2021

blindsided, 2021

blindsided, 2021

isle of vitr∴ ous, 2022

installation view at the whitney biennial

isle of vitr∴ ous, 2022

installation view at the whitney biennial

sliver, 2019

installation view of open call: group 2, the shed, new york, 2019

sliver, 2019

installation view of open call: group 2, the shed, new york, 2019

scr∴pe II (isle of vitr∴ ous), 2022

installation view at the whitney biennial

scr∴pe II (isle of vitr∴ ous), 2022

installation view at the whitney biennial

gardens of perfect exposure, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

gardens of perfect exposure, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

from its mouth came a river of high-end residential appliances, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

from its mouth came a river of high-end residential appliances, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

weak pearl, 2019

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

weak pearl, 2019

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

gubra (fig∵re v), 2023

gubra (fig∵re v), 2023

 encounter II, 2023

 encounter II, 2023

titration point (isle of vitr∴ ous), 2022.

titration point (isle of vitr∴ ous), 2022.

 fig∵re I, 2022

 fig∵re I, 2022

ph∴sphene study II, 2021

ph∴sphene study II, 2021

hyaline seed (isle of vitr∴ ous), 2022

hyaline seed (isle of vitr∴ ous), 2022

el decorum, 2021

el decorum, 2021

mindful witness, 2021

mindful witness, 2021

blindsided, 2021

blindsided, 2021

isle of vitr∴ ous, 2022

installation view at the whitney biennial

isle of vitr∴ ous, 2022

installation view at the whitney biennial

sliver, 2019

installation view of open call: group 2, the shed, new york, 2019

sliver, 2019

installation view of open call: group 2, the shed, new york, 2019

scr∴pe II (isle of vitr∴ ous), 2022

installation view at the whitney biennial

scr∴pe II (isle of vitr∴ ous), 2022

installation view at the whitney biennial

gardens of perfect exposure, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

gardens of perfect exposure, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

from its mouth came a river of high-end residential appliances, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

from its mouth came a river of high-end residential appliances, 2018

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

weak pearl, 2019

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019

weak pearl, 2019

installation view of horizontal vertigo, julia stoschek foundation, berlin, 2019