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press: daniel guzmán: daniel guzmán on the way home

El hombre que debería estar muerto: tienes que entrar para salir, with four wooden structures exhibited at the capital's gallery Kurimanzutto, deepens the systematic dehierarchization that the artist, Daniel Guzmán, carries out on cultural referents. In this way, Guzman describes these pieces as ways of reading and finding one's way home. Thus, these works are actually part of an expanded understanding of drawing.