Haegue Yang: Flat Works surveys two decades of the artist’s two-dimensional explorations, including so-called Lacquer Paintings, Hardware Store Collages, Trustworthies (abstractions made from security envelopes, sandpaper, and more), wallpapers, Spice and Vegetable prints, and finally Mesmerizing Mesh (cut and folded paper collages based on international shamanistic practices). Aspects of these series have been exhibited in the past, but never comprehensively in order to consider their cumulative impact and the throughlines across each project.
Yang is best known as a sculptor and installation artist. Nonetheless, she considers her two-dimensional investigations as essential to her creative development. A fundamental recognition of these series is that “flatness” registers a “collapse” of the three-dimensional world as image. The aesthetics of these investigations range from minimalist and discrete to maximalist and engulfing. The exhibition proposes to redefine Yang’s contributions through stunning and revelatory exploration of her evolving “flat” projects, with a “wallpaper” covering the entry to The Arts Club’s historic Mies van der Rohe staircase and newly conceived apparatuses for viewing and displaying Mesmerizing Mesh.
The exhibition is accompanied by a fully illustrated catalogue with essay by curator and scholar Orianna Cacchione, Ph.D. She explains, “The flat works are not flat at all, they are sites of compression, paradoxically revealing a depth of space. For Yang, flattening is a “synonym for abstraction” and this abstraction acts across dimensions to infiltrate and deconstruct ways of knowing in contemporary society.”