Bárbara Sánchez-Kane's exhibition ¿Cuántos ángeles caben en la punta de un alfiler? at Collegium is a reflection on the seams that weave and mould bodies and their customs.
Sánchez-Kane uses fashion as a critical tool, creating sculptures and garments that evoke uniforms, armour, and sacred figures. Her materials - leather belts, bronze, punching bags, and flagpoles - transform symbols of authority and discipline into forms of expression and resistance.
The sculptures and garments in the exhibition are conceived as uniforms and armour, but also as deities and sacred figures, reflecting codes used in the Catholic church of belonging and exclusion, of submission and domination.
Presented in the church of San Martín, the works dialogue with the history and symbolism of this space.