Double Soul, Haegue Yang’s exhibition at SMK, could serve as a headline for her oeuvre in general. Yang’s titles – of exhibitions and of individual works – often incorporate concepts related to a duality of mirrored oppositions or the idea of ‘one and the rest’: ‘doubles and couples’, ‘doubles and halves’, ‘siblings and twins’, ‘double life’. In corresponding fashion, Yang’s works frequently appear in pairs or interconnected groups, considering dualities in their echoes, reflections, parallels and repetitions, in which the individual parts govern each other, making them inextricably linked.