"Siembra [The Sowing], referencing agricultural economies, is, of course, an ironic metaphor for what happens at kurimanzutto, as (emerging) artists are planted to then sprout into the global art economy. The statement is clear: the gallery’s self-conscious gesture to “re-imagine” itself reveals its power in determining symbolic capital and deciding who serves as viable seeds. “Community” is not much more than that tight race to emerge as an individually successful artist."